The admissible content of auditory experience.
Elvira Di Bona obtained her Ph.D. in Philosophy and Cognitive Sciences at the Institut Jean Nicod – École des Hautes Etudes en Sciences Sociales, Paris and at the Vita-Salute San Raffaele University, Milan in 2013. Her dissertation, co-tutored by Roberto Casati and Michele Di Francesco, was on auditory perception. During her Ph.D. course, she spent research periods at the New York University, as a Fulbright Scholar, and at the University of Sydney, as an ARIA (Association for Research between Italy and Australasia) Grantee. She got a violin diploma at the Conservatorio of L'Aquila and Terni, and completed the "High Specialization Course in Music Studies – Solo Violin Performance" at the National Academy of Santa Cecilia (Rome) in 2008. She is currently Research Affiliate at the Humboldt-Universität zu Berlin. Her research aims at developing a theory about the way in which, by audition, we perceive both objects' features (such as their texture or shape) and the space and time in which those objects are placed. In addition, she is working on a book on Frank Jackson's knowledge argument and on a project on aesthetics normativity sponsored by the Deutscher Akademischer Austausch Dienst (DAAD) at the Freie Universität Berlin. She has published articles on pitch, the auditory perception of causation and sound in peer-reviewed international journals. At the Italian Academy she will be working on the admissible contents of auditory experience, which has been recently funded also by the Fondazione Franco e Marilisa Caligara to be developed at the University of Turin, Italy.