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David Freedberg
University of Chicago Press

“A highly relevant collection of texts by a specialist in early modern and contemporary destruction of images. From the battles over images in the Reformation to 'cancel culture,' Freedberg combines fresh thinking with deep expertise to address the renewed significance of his subject.”
The Bookseller

“The moment for this book is now. Freedberg shows not just the relationship of past iconoclasm to current debates about what to do with monuments, but reveals the central paradox of our relationship to graven images: we are unable to stop ourselves giving a power and agency to what we know are pieces of stone, wood, or canvas. The deep recognition we find in these inanimate objects is at the root of our need to smash them to halt this recognition. Every example he describes brings new ideas to current questions.”
― William Kentridge, artist

Iconoclasm will become not only a classic in art and image destruction scholarship but also a must-read for every scholar interested in the field. Freedberg—the world authority on iconoclasm—questions his beliefs and rethinks what iconoclasm means for images in our current age of digital reproducibility. He draws attention to the relation between images, signs, and bodies, offering a fresh investigation of the role images play in our society.”
― José Antonio González Zarandona, author of Murujuga – Rock Art, Heritage and Landscape Iconoclasm

“Long before image surpassed word in the battle for our hearts and minds in a virtual world, David Freedberg studied the fascinating, invasive phenomenon of iconoclasm. His visionary work changed the course of art history and visual studies, pointing our attention to our ambiguous relationship to art works, images, and the universal drive to both worship and destroy them. This sample of his very best analyses is nothing less than a must-read for everybody interested in the tremendous power of images and iconoclasm, from antiquity till now. Combining impressively broad scholarship with amazing writing, this book is literally an eye-opener.”
― Koenraad Jonckheere, author of Antwerp Art After Iconoclasm: Experiments in Decorum, 1566–1585

[From the publisher's catalogue:]
With new surges of activity from religious, political, and military extremists, the destruction of images has become increasingly relevant on a global scale. A founder of the study of early modern and contemporary iconoclasm, David Freedberg (the Director of the Italian Academy) has addressed this topic for five decades. His work has brought this subject to a central place in art history, critical to the understanding not only of art but of all images in society. This volume collects the most significant of Freedberg’s texts on iconoclasm and censorship, bringing five key works back into print alongside new assessments of contemporary iconoclasm in places ranging from the Near and Middle East to the United States, as well as a fresh survey of the entire subject. The writings in this compact volume explore the dynamics and history of iconoclasm, from the furious battles over images in the Reformation to government repression in modern South Africa, the American culture wars of the early 1990s, and today’s cancel culture.

Freedberg combines fresh thinking with deep expertise to address the renewed significance of iconoclasm, its ideologies, and its impact. This volume also provides a supplement to Freedberg’s essay on idolatry and iconoclasm from his pathbreaking book, The Power of Images. Freedberg’s writings are of foundational importance to this discussion, and this volume will be a welcome resource for historians, museum professionals, international law specialists, preservationists, and students.