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Event
Lecture

From Bunker To Immaterial. Art, preservation and the Third Reich's defenses along the European coast.

Xenia Vytuleva and Margherita Moscardini

1xUnknown, 2012-ongoing (Quiberville), production still. Photo Margherita Moscardini. Courtesy Ex Elettrofonica, Rome.
  • 1xUnknown, 2012-ongoing (Quiberville), production still. Photo Margherita Moscardini. Courtesy Ex Elettrofonica, Rome.
  • 1xUnknown, 2012-ongoing (stills from video). Margherita Moscardini Courtesy Ex Elettrofonica, Rome.
  • 1xUnknown, 2012-ongoing (stills from video). Margherita Moscardini; Courtesy Ex Elettrofonica, Rome.
  • 1xUnknown, 2012-ongoing (stills from video). Margherita Moscardini; Courtesy Ex Elettrofonica, Rome.

Xenia Vytuleva (Visiting Professor, Graduate School of Architecture, Planning and Preservation, Columbia University, NY)
Margherita Moscardini (Artist, winner of Premio New York, 2015)

The Nazi bunkers along the coast of Europe and Norway are in ruins, no longer serving as functioning architectural bodies or even as a record of violent human activity; they have become a new form of media, the abstract techno-basis of a new layer of coded information. Professor Xenia Vytuleva will discuss Margherita Moscardini’s 1XUnknown, an ongoing project that seeks to re-think “Bunker Archaeology” and to unfold the potentialities of the Atlantic Wall, an extensive system of coastal fortifications built from 1942–1945.
Moscardini’s project originates from research into solid inhabitable forms whose permanent nature expresses the way they belong to their context while –at the same time– they are emancipated from it. Distinct and clear, these structures, which are devoid of foundations, also act as “sculptures” which have an archetypal quality. They resemble what surrounds them: the local sand that was used in their concrete composition.

Participant Bios

Margherita Moscardini investigates relationships among transformation processes in the urban, social and natural order. She often focuses on abandoned locations and areas undergoing demolition, whereby the demolitions’ waste systems become a paradigm of local complexities. Her work generally focuses on long-term projects in which the context itself becomes the medium. Moscardini studied Cultural Anthropology in Bologna, Italy, and attended the Advanced Course in Visual Arts of the Antonio Ratti Foundation, Como, Italy, with Yona Friedman. Her work has been recently exhibited at MMCA Changdong, National Museum of Modern and Contemporary Art, Seoul, South Korea; theItalian Institute of Culture of Istanbul, Turkey; MACRO, Museum of Contemporary Art, Rome; ArtToday CCA, Plovdiv, Bulgaria; SongEun Art Space, Seoul, South Korea; Schauwerk Foundation, Stuttgart, Germany; Palazzo Reale, Milan; and the Palazzo Strozzi Foundation, Florence. She is currently based in New York, as a resident of the International Studio & Curatorial Program (ISCP) and as a fellow of the Italian Academy of Advanced Studies in America, Columbia University, supported by the Italian Cultural Institute, New York (Premio New York / New York Prize 2015).

Xenia Vytuleva is an architectural historian, theorist and curator. Her scholarship is focused on new modes of theory of conceptual preservation, and the intersection of art, science and politics. She is currently a visiting professor at the Graduate School of Architecture, Planning and Preservation at Columbia. Dr. Vytuleva has curated a number of exhibitions including: IMMaterial Box of Innovative Ideas and Materials (Schusev State Museum of Architecture, Moscow), Oscillations (Manege, the Moscow Exhibition Hall) with NASA, Stuttgart IL, AA (London), and Music on Bones (MAXXI, Rome). A recipient of various grants and awards, most recently from the Graham Foundation for the project “Secret spaces during the Cold War,” she is working on a manuscript, “Aesthetics of Uncertainty,” on contemporary artistic practices.

Photo Credit
"1xUnknown", 2012-ongoing (stills from video). Ambient size, n.7 mini-projectors, power packs, prints, paper, paperboard, concrete, n.7 miniDV videos, MDF. Courtesy Ex Elettrofonica, Rome.